
CASHMERE
EUR 1800
DOUBLE-FACE CASHMERE KIMONO COAT
A kimono cut lets the cashmere run unbroken from collar to sleeve, with no shoulder seam to interrupt its line. Pure Top Mongolia cashmere, woven double-face — only the fine inner duvet of the Alashan goat — and black on both sides. The surface is smooth and closed, and light glides across it, lending the black a soft sheen that moves with the coat.
CASHMERE
EUR 2100
LONG RAGLAN CASHMERE COAT
Pure Top Mongolia cashmere, woven double-face, camel on both sides. The surface is zibeline-finished — brushed with natural teasel heads until a very fine, airy pile rises — and in the hand it has the plush softness of fur. Light catches in that pile, so the camel shifts in tone as it falls
CAMEL HAIR · UNDYED
EUR 1200
LONG CAMEL HAIR COAT
Hay prendas que se compran y prendas que se heredan. Este abrigo pertenece a la segunda categoría. Made entirely in pure camel hair — the soft inner down of the Bactrian camel, which the animal gives up in its natural moult each spring. The colour is that of the fleece itself: a warm, golden camel that has never seen a dye.
CASHMERE
EUR 1600
DOUBLE-FACE CASHMERE CAPE
The whole piece is cloth. One gesture over the shoulder and the cashmere does the rest: it falls, wraps and holds its own shape. A cape can only be made from a cloth that deserves it. A cape in pure Top Mongolia cashmere — only the fine inner duvet of the Alashan goat —, the cloth is compact yet full of volume, silky in the hand, its surface smooth with a subtle sheen.
LOOKS
How to wear a double-face coat.
An early meeting. A train that leaves before first light. A dinner that runs later than planned and turns into another conversation. The coat is the last thing she puts on and the first thing anyone sees. Which is why it matters how it settles on the shoulders as she walks into a room, how it opens as she moves, and how it waits, folded over the back of a chair, while she decides.
These looks show each Murmells coat as it is lived in: in camel hair, cashmere or alpaca, double-face and unlined, over a silk shirt, a dress that moves, or a fine roll-neck. They are not formulas to copy, but ways of wearing it that every woman ends up making her own.
One coat, many lives.
The same camel coat that accompanies a suit on a working morning will serve, worn open with hands in pockets, for a Sunday in the woods, the cold air on her face and the lake still frozen. Cashmere moves from day to evening without asking for a change: simply take off the scarf. And alpaca, with its drape, turns jeans and a white shirt into a decision.
A good coat needs no introduction. It arrives before she does, and by the time she takes it off, the room has already noticed.




